‘A natural-political exploration of Russian relationships with the birch tree across past, present, and future. Moving from the Tsarina’s garden to the Soviet Gulag, from Chernobyl to Lake Baikal, The White Birch is elegant and intrepid, like its subject’ Daisy Hildyard The birch, genus Betula, is one of the northern hemisphere’s most widespread and easily recognisable trees. A pioneer species, the birch is also Russia’s unofficial national emblem, and in The White Birch art critic Tom Jeffreys sets out to grapple with the riddle of Russianness through numerous journeys, encounters, histories and artworks that all share one thing in common: the humble birch tree. We visit Catherine the Great’s garden follies and Tolstoy’s favourite chair; walk through the Chernobyl exclusion zone and among overgrown concrete bunkers in Vladivostok; explore the world of online Russian brides and spend a drunken night in Moscow with art-activists Pussy Riot, all the time questioning the role played by Russia’s vastly diverse landscapes in forming and imposing national identity. And vice-versa: how has Russia’s dramatically shifting self-image informed the way its people think about nature, land and belonging? Curious, resonant and idiosyncratic, The White Birch is a unique collection of journeys into Russia and among Russian people.
A natural-political exploration of Russian relationships with the birch tree across past, present, and future. Moving from the Tsarina's garden to the Soviet Gulag, from Chernobyl to Lake Baikal, The White Birch is elegant and intrepid, like its subject -- Daisy Hildyard, author of The Second Body and Hunters in the Snow 'Genuinely revelatory' -- Sophy Richards * TLS * There could be no better guide through the thickets of meaning, history and imagery that entangle with the birch tree than figurative forester Tom Jeffreys -- Melissa McCarthy, author of Sharks Death Surfers A beautiful and profound meditation on the way landscape shapes art and life. I was entranced by The White Birch, a book that comes close to encapsulating the vast enigma of Russia in the form of a single tree -- Alex Preston, author of Winchelsea and As Kingfishers Catch Fire I love this book. Jeffreys admits he doesn't know where he's going at every turn, but trusts his instinct - and his ear for a good story - as he tries to untangle myth from fact . . . This is the great joy of The White Birch -- Mark Hooper * Caught by the River * With elegance, humour, and deep insight . . . The White Birch is a daring, at once sympathetic and critical, experiment in interpreting how national identity is entwined with a tree. More than a book, it is a mirror and a magnifying glass, through which to observe the all-too-human and the other-than-human worlds, as well as, of course, ourselves -- Michael Marder, author of Plant-Thinking and The Chernobyl Herbarium The White Birch is a wonderful book: at once an idiosyncratic personal journey and an erudite and clear-eyed critical study. Jeffreys is a deeply human writer and a smart and honest critic who here, splitting the timber of the Russian birch, finds his way deep into the Russian idea of Russia -- Richard Smyth, author of The Woodcock and An Indifference of Birds
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