Alasdair Forbes has been developing his innovative and beautiful garden, Plaz Metaxu, in Devon, for the past thirty years. The thirty-two acre garden has been internationally acclaimed both as an unusually ambitious contemporary example of the making of place and for its poetic and psychological insights. Trained as an art historian, Alasdair always wanted his garden to be open to the worlds of myth, literature and the other arts, while remaining keenly aware of the strengths, vulnerabilities and delights a garden has to offer in its own right. He has been the only full-time gardener at Plaz Metaxu from its beginning until the present day, though invaluable part-time assistance has been provided by Cyril Harris (who is not a professional gardener either). The whole garden, with its lawns and fritillary meadows and hedges, its bowers, groves and woods, its lake and its courtyards, its ‘carousel beds’, and its landscaped walks to far horizons, is entirely the creation of these two men. This beautiful, richly illustrated book is Alasdair’s own account of how and why the garden was made. He writes of its many inspirations, from Psyche herself to poets, painters and the mysterious paredros . . . not forgetting the valley landscape, with its noble precedent at Studley Royal, and its wise mentors from the Far East. In everything he has done, Alasdair has been the pupil of the spaces that surround him; his rare gift has been to become their ventriloquist, in finding out how they themselves want to ‘speak’.
"This is indeed a beautifully designed and produced book, intensively illustrated by atmospheric photographs, but - above all - illuminated by a thoughtful text, muscularly written and unflinchingly readable." * Hortus * "Forbes...has produced a book which constitutes the ideal introduction and companion to a garden that is emerging as highly significant in an international context. It is copiously filled with Forbes's own evocative photographs, while the text is a deeply argued, scholarly tour de force, replete with references to philosophy, painting, poetry and psychology. As such it stands as an admirable riposte and corrective to all those from other disciplines who still insist on condescending to garden-making as little more than a hobby or pastime." -- Tim Richardson * Sunday Telegraph * "A beautifully illustrated paean to one man's philosophy of art and ideas, and his creation of an extraordinary, innovative garden." * Gardens Illustrated * "An extraordinary book about an extraordinary place...Very lavishly illustrated and beautifully produced in a large quarto format. The whole design and production mirror the devoted care and thought that has gone into creating these remarkable gardens themselves." * Classics for All * "This book merits slow and careful re-reading during the long, winter evenings. The design, photographs and production are all superb." -- Ursula Buchan * Spectator * "An extraordinary book about an extraordinary garden. Profusely and well illustrated enough to enable readers to place their imagination in the garden's spaces, this book will nevertheless tempt and tantalise." -- Noel Kingsbury * The Garden * "A beautifully illustrated book which celebrates a major achievement in contemporary garden design." * British Art Journal *
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